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Widespread accessories included wristbands and collars, whistles , pacifiers , white gloves , glow sticks , feather boas , oversized sunglasses , and record bags made of truck tarpaulins. For example, the typical gabber or psytrance raver dressed significantly different from "normal" ravers, but common basic features remained recognisable. Since the s, the clothing style of the rave culture remains heterogeneous, as do its followers.
Particularly in North America, rave fashion continues to be characterised by colourful clothing and accessories, most notably the "kandi" jewellery that fluoresces under ultraviolet light. This style of attire was again taken up by the fashion industry and marketed as "rave fashion" or "festival fashion", now includling all kinds of accessories to create unique looks depending on event.
Some ravers participate in one of four light-oriented dances, called glowsticking , glowstringing , gloving , and lightshows. Of the four types of light-orientated dances, gloving in particular has evolved beyond and outside of the rave culture. Other types of light-related dancing include LED lights, flash-lights and blinking strobe lights.
LEDs come in various colours with different settings. Gloving has evolved into a separate dance form that has grown exponentially in the last couple of years. The traditional Rav'n lights are limited now, but many stores have developed newer, brighter, and more advanced version of lights with a plethora of colours and modes—modes include solid, stribbon, strobe, dops, hyper flash, and other variations.
Among the various elements of s disco subculture that ravers drew on, in addition to basing their scene around dance music mixed by DJs, ravers also inherited the positive attitude towards using club drugs to "enhanc[e] However, disco dancers and ravers preferred different drugs. According to the FBI, raves are one of the most popular venues where club drugs are distributed, and as such feature a prominent drug subculture.
Nitrites originally came as small glass capsules that were popped open, which led to the nickname "poppers. In the U. Since the early s, medical professionals have acknowledged and addressed the problem of the increasing consumption of alcoholic drinks and club drugs such as MDMA , cocaine , rohypnol , GHB , ketamine , PCP , LSD , and methamphetamine associated with rave culture among adolescents and young adults in the Western world. Originally created by DJs slowing down gay Hi-NRG 45rpm records to 33rpm to create a trance-dance groove, New Beat evolved into a native form of hardcore techno in the s with the introduction of techno records played at their original speeds or even slightly accelerated.
Exodus Productions was arguably the first production company in Canada to throw regular rave style events at the warehouse space known as 23 Hop , located at Richmond Street West in Toronto 's Entertainment District. Multiple production companies would quickly follow suit, and the rave scene would soon explode into a massive scene, with 23 Hop as the initial launching pad, until its closure in A documentary film entitled The Legend of 23 Hop highlighted the early stages of Exodus and similarly modelled production companies.
In Calgary, Alberta became the first major municipality in Canada to pass a bylaw with respect to raves. The intent of the bylaw was to ensure that raves would be safe for participants, and also not unduly disruptive to adjacent neighbourhoods. The bylaw was created in consultation with representatives from the municipality, the province of Alberta, and the rave community.
By , acid house was making as significant an impact on popular consciousness in Germany and Central Europe as it had in England. Motte established the Ufo Club , an illegal party venue, and co-founded the Love Parade. In , a number of party venues closed, including Ufo , and the Berlin Techno scene centred itself around three locations close to the foundations of the Berlin Wall: the E-Werk , the Bunker and the now legendary Tresor.
Across Europe, rave culture was becoming part of a new youth movement. DJs and electronic-music producers such as Westbam proclaimed the existence of a "raving society" and promoted electronic music as legitimate competition for rock and roll. Indeed, electronic dance music and rave subculture became mass movements. Since the mid s, raves had tens of thousands of attendees, youth magazines featured styling tips, and television networks launched music magazines on House and Techno music.
Since the late s, Berlin is still called the capital of techno and rave, and techno clubs such as Berghain , Tresor , KitKatClub or Watergate and the way to party in barely renovated venues, ruins or wooden shacks such as, among many others, Club der Visionaere , Wilde Renate , Fiese Remise or Bar 25 , attracted international media attention. The UK was finally recognised for its rave culture in the late s and early s. By , organisations such as Fantazia and Raindance were holding massive legal raves in fields and warehouses around the country.
The Fantazia party at Castle Donington, July was an open-air, all-night event. By the middle of , the scene was slowly changing, with local councils passing by-laws and increasing fees in an effort to prevent or discourage rave organisations from acquiring necessary licences. By the mids, the scene had also fragmented into many different styles of dance music, making large parties more expensive to set up and more difficult to promote.
The sound driving the big raves of the early s had by the end of split into two distinct and polarising styles, the darker jungle and the faster happy hardcore. Although many ravers left the scene due to the split, promoters such as ESP Dreamscape and Helter Skelter still enjoyed widespread popularity and capacity attendances with multi-arena events catering to the various genres. The illegal free party scene also reached its zenith for that time after a particularly large festival, when many individual sound systems such as Bedlam, Circus Warp, DIY, and Spiral Tribe set up near Castlemorton Common.
The government acted. Under the Criminal Justice and Public Order Act , the definition of music played at a rave was given as:. The Criminal Justice and Public Order Act empowered police to stop a rave in the open air when a hundred or more people are attending, or where two or more are making preparations for a rave. The Act was officially introduced because of the noise and disruption caused by all night parties to nearby residents, and to protect the countryside.
However, some participants in the scene claimed it was an attempt to lure youth culture away from MDMA and back to taxable alcohol. In Scotland, event promoters Rezerection held large-scale events across the country. By , the popularity of weekly Superclub nights had taken over from the old Rave format, with a raft of new club-based genres sweeping in e. Clubs like Gatecrasher and Cream rose to prominence with dress codes and door policies that were the polar opposite of their rave counterparts; stories of refused entry due to not wearing the right clothing were commonplace, but seemingly did nothing to deter Superclub attendance.
Although disco culture had thrived in the mainstream, the rave culture would make an effort to stay underground to avoid the animosity that was still surrounding disco and dance music. The key motive for remaining underground in many parts of the US had to do with curfew and the standard am closing of clubs. It was a desire to keep the party going past legal hours that created the underground direction.
Because of the legality, they had to be secretive about time and place. However, rave culture's major expansion in North America is often credited to Frankie Bones , who after spinning a party in an aircraft hangar in England, helped organise some of the earliest American raves in the s in New York City called "Storm Raves". Heather Heart held Under One Sky. Simultaneously in NYC, events were introducing electronic dance music to this city's dance scene.
Between and , promotional groups sprung up across the east coast. In the s, San Diego held large raves with audiences of thousands. Quark performed at these events. The events used large props and themes. The fairy and pixie craze, with ravers getting fairy tattoos and wearing fairy wings to parties was associated with the region. The percussive group Crash Worship was active here. In the late s and early s, there was a boom in rave culture in the San Francisco Bay Area.
At first, small underground parties sprung up all over the SOMA district in vacant warehouses, loft spaces, and clubs. The no alcohol rule fuelled the ecstasy-driven parties. The massive parties were taking place in outdoor fields, aeroplane hangars and hilltops that surround the valley. Raves took place in some of the SOMA art museum event such as, 'Where the wild things are' in the museum on top of the Sony Metreon, and in the Maritime hall — By the end of , a new generation of ravers were attracted by the new sounds.
EDM began to become popular. Raves could be found in many different kinds of venues, as opposed to just basements and warehouses. Promoters started to take notice and put together the massives of the late s with many music forms under one roof for hour events.
Until , the raves scene continued to grow slow and stay stable until there was increasingly awareness and publicity about illicit drug usage at raves, particularly ecstasy. Parallel to the rave scene growth, was an increase in anti drug policies, which were directly aimed and indirectly influenced rave organizational management and event.
Consequentially, by mid s and late s larger raves appeared more sporadically. From this base of routine and consistency scheduled events, the rave scene reemerged with in with even more attendance and dance locations. The overwhelming attendance, including from lack of underage attendance restrictions, reached a changing point with the , estimated in attendance Electric Daisy Carnival EDC. That event gained widespread attention because of the death and overdose of a year-old girl, Sasha Rodriguez.
That investigation resulted in him being charged with bribery of public employee Todd DeStefano. Rotella later reached a plea bargain and avoided jail time. Through the mid s and into the s the city of Seattle also shared in the tradition of West Coast rave culture.
Though a smaller scene compared to San Francisco, Seattle also had many different rave crews, promoters, DJs, and fans. Candy Raver style, friendship and culture became popular in the West Coast rave scene, both in Seattle and San Francisco. At the peak of West Coast rave, Candy Raver, and massive rave popularity —, it was common to meet groups of ravers, promoters, and DJs who frequently travelled between Seattle and San Francisco, which spread the overall sense of West Coast rave culture and the phenomenon of West Coast "massives".
By , raves were becoming the equivalent of large-scale rock music festivals, but many times even bigger and more profitable. These new EDM-based rave events now simply referred generically to as " music festivals " sell out. In , EDC had attendance of approximately , people, a record for the festival. Rave parties began in Australia as early as the s and continued well into the late s.
They were mobilised versions of the 'warehouse parties', across Britain. Similar to the United States and Britain, raves in Australia were unlicensed and held in spaces normally used for industrial and manufacturing purposes, such as warehouses , factories and carpet showrooms.
In addition, suburban locations were also used: basketball gymnasiums, train stations and even circus tents were all common venues. In Sydney , common areas used for outdoor events included Sydney Park , a reclaimed garbage dump in the inner south west of the city, Cataract Park and various other natural, unused locations and bush lands.
The raves placed a heavy emphasis on the connection between humans and the natural environment, thus many raves in Sydney were held outdoors, notably the 'Happy Valley' parties — , 'Ecology' and 'Field of Dreams 4' 6 July Wood had taken ecstasy and died in hospital a few days later, leading to extensive media exposure on the correlation of drug culture and its links to the rave scene in Australia.
The tradition continued in Melbourne , with 'Earthcore' parties. Raves also became less underground as they were in the s, and many were held at licensed venues well into the s. Despite this, rave parties of s size became less common.
Nonetheless, the rave scene in Australia experienced a resurgence during the s. The rave subculture in Melbourne was strengthened with the opening of clubs such as Bass Station and Hard Candy and the rise of free party groups such as Melbourne Underground. In Melbourne, warehouse squat party and outdoor raves were frequently held throughout the s, with attendance occasionally entering the thousands.
The following is an incomplete list of notable sound systems :. From Wikipedia, the free encyclopedia. Dance party. For other uses, see Rave disambiguation. Music festival electronic dance music festival technoparades acid house party doof Orchestra trance festival Nature House Party Trap Music teknival algorave free festival free party circuit party concert tour.
Acid house Industrial dance Techno Breakbeat Hardcore. Play media. See also: List of electronic dance music festivals and Doof. See also: Category:Electronic dance music venues. See also: Street dance. See also: Cybergoth , Rivethead , Phat pants , and Fluffy footwear. This section needs expansion. You can help by adding to it. July See also: Gloving , Glowsticking , Holographic show , and Laser show.
See also: Club drug and Party pills. See also: Second Summer of Love and Acid house party. See also: Free party. This section has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources.
Unsourced material may be challenged and removed. See also: Circuit party. This section does not cite any sources. Please help improve this section by adding citations to reliable sources. November Learn how and when to remove this template message. See also: List of electronic dance music festivals. See also: Doof. Main article: List of electronic music festivals. See also: List of technoparades. This list has no precise inclusion criteria as described in the Manual of Style for standalone lists.
Please improve this article by adding inclusion criteria, or discuss this issue on the talk page. February Society portal. The Guardian. Volume II. ISBN Retrieved 10 September Retrieved 17 August Drug and Alcohol Dependence. PMC PMID Retrieved 25 October The term rave first came into use in late 50s Britain as a name for the wild bohemian parties of the time.
ISSN Retrieved 27 November Delia Derbyshire. The event took place over two nights 28 January and 4 February and included a performance of tape music by Unit Delta Plus, as well as a playback of the legendary Carnival of Light , a fourteen-minute sound collage assembled by McCartney around the time of the Beatles' Penny Lane sessions. Archived from the original on 19 October Retrieved 3 June DJ Magazine.
Retrieved 13 August It's all House" ". Center for Problem Oriented Policing. Generation Ecstasy: into the world of Techno and Rave culture. Archived from the original on 11 April Encyclopedia Britannica. Sociology Compass. BBC News. Sociological Forum. JSTOR Anthropological Quarterly. Nieves; Stoffle, Richard W. Journal of Archaeological Method and Theory. S2CID Rolling Stone , 12 December Retrieved 29 November Try again.
Accept Cookies Customise Cookies. Close Menu. Travelling or based outside United Kingdom? Video availability outside of United Kingdom varies. Sign in to see videos available to you. When a contaminated energy drink turns an illegal rave into a zombie nightmare, a germophobic journalist must overcome her deepest fears to save herself, and to get her friends out of the party alive.
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Sorted by: Top reviews Top reviews Most recent. The plot to RAVERS isn't complex, but it doesn't need to be, we are here for the tunes and the gore, both of which are top notch. The characters are fun and I found myself caring for them as the film progressed. For the price you really can't go wrong for a bit of horror fun. Helpful Report abuse. Great fun if you gore galore, crazy drug-taking and a fun 90 mins movies. Awesome bloody special effects in this fun Brit horror movie about mutant ravers going on the rampage.
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